Vocation at the Café Church – Mar15

Matt Ward, Anglican chaplain at the Universities' Chaplaincy in Leeds, also oversees Emmanuel Café Church there. He explores why the Café Church is inspiring young adults to consider their vocation.

Last summer I attended the ordination service of a former member of Emmanuel Café Church and I am looking forward to going to another this year. Two previous Café Churchgoers are also currently in training and at least two more are actively exploring vocation to ordained ministry.

We're a small community which has been worshipping together for nine years, based in the chaplaincy at Leeds University and meeting every Sunday during term time at Claire Chapel, Emmanuel Centre. In many ways we're fragile, losing a significant number of our community each year as they graduate and move on. How have we managed to end up regularly seeing young people going forward for ordination? It wasn't something that we set out to achieve but it has certainly become part of our story.

I think that it is quite simple. It's all about encouraging people.

Emmanuel Café Church - listeningLooking back, there are probably four things that we have done which are important in encouraging people to think about vocation – and although I started by talking about ordinations it's important to think of vocation in the widest possible sense. It starts with recognising that we all have a vocation to be disciples, to be growing in our faith and working out how to live that – whatever the career path.

So what are the four things we have been doing? Basically, we have encouraged people:

to be involved

If you come to cafechurch you are part of our community, and if you're part of our community we want you to be involved. Some people have come for the first time and the next week have been taking an active part in leading the session. Others take a bit longer to feel that confident but are drawn into discussions and reflections. What's key is that people are gaining experience and discovering what leadership might be like. We also benefit from learning from each other and regularly experiencing different styles of leadership.

by listening to them

In many ways the joy of being a small community is that you can get to know people really well, but the key to that is giving time to people and listening to them. It is about discovering who people are, what excites them, what worries them, what their hopes and aspirations might be. Above all, it's about taking people seriously. When you do that, you begin to know when something is a real possibility or simply a wild dream.

by challenging them

Emmanuel Café Church - dog collarsAs you get to know people, as you pray for them and see them become part of the community, you sometimes get a sense that you need to ask a sharp question. It's important to be bold with that. That question at times has been, 'Have you thought about ordination?' And sometimes you have to ask the question more than once and, as you ask it, equip people to listen for the answer from God via others around them.

by creating an atmosphere that allows vocation to be seen as normal

If you have never met anyone who has sailed round the world, the thought of doing so is almost too much to comprehend, but – if you've spent time with people who sailed round the world – it suddenly becomes less extraordinary. I think that the same is true around Café Church. If you never meet anyone like you who has thought about being ordained then it seems like a strange thing to consider, but when it's just one of a whole range of things that is mentioned when we're talking about vocation then it's not so weird.

We talk about vocation in a very ordinary, matter of fact way. We talk about it in a wide range of contexts and with a sense that it might have a wide range of out-workings for people. As we've done that over the past few years we have been privileged to see people respond to God and move on in their lives following him.

Founding cities and building shrines (Ric Stott)

Ric Stott asks whether we should be founding cities or building shrines.

In her book Wild: An Elemental Journey, Jay Griffiths takes journeys through some of the world's greatest wildernesses. For Griffiths the wilderness isn't a desolate place in need of taming and civilising but a place of rich life and diverse indigenous spiritualities. As she travels up the Amazon she offers a quote from Lucio Costa, the architect of the city of Brasilia (which was laid out in the shape of a cross). He says that the founding of a city is:

a deliberate act of possession, a gesture in the colonial tradition of the pioneers, of taming the wilderness

As someone who is described by my church as a 'pioneer', I find this quote unsettling. If the ultimate aim of the pioneer is to build a city, to subdue and tame the wilderness and bring civilisation (or at least the church's version of it) to smother rich, indigenous cultures then I want no part in that ministry. The church operates in this way when it uses the language of armies and empire, of claiming ground and raising the flag to loudly proclaim our identity.

Over the last six years of pioneering ministry amongst artists in Sheffield I have found, as Griffiths did, a rich and deep engagement with what it means to be human and what it means to live as spiritual and creative beings. As relationships strengthen and I am at home in this milieu, it feels increasingly inappropriate to be in the business of building walls and founding a city. There is a wild and exuberant life here that should never be tamed.

What then might my task here be as someone called a pioneer by my church? I begin to get a hint from Allen Ginsberg's poem A Desolation where he talks of travelling through the wilderness. With a beautiful queer sensibility he weighs up the options of finding a wife, growing a family and fitting into the social norms but rejects that and moves into wilder places where he can…

…maybe make an image

of my wandering, a little

image-shrine by the

roadside to signify

to traveler that I live

here in the wilderness

awake and at home.

Perhaps the call of the pioneer is not to found cities but to build shrines by the wayside as we travel; to signify those places where we have found life and wonder: signs of sacred space. This is a risky endeavour. Whilst the city is safe behind its wall the shrine is exposed, anyone can approach and interact with it in any way that they choose.

One of my models for pioneering ministry is St Kevin. He was a hermit who lived in Ireland in the 6th century, a man who sought solitude and would go out alone into the forests of the Wicklow Mountains, particularly in the area known as Glendalough. Amidst the dark mossy green, in the womb of the forest, he would pray. One of the stories told of his life tells of the time he went to pray in the forest with his arms outstretched. In the stillness a blackbird flew and alighted on his open hand. As he held that place of gentle meditation the bird laid her eggs. And so he held his palm open, cradling them, holding that still place, for the two weeks it took for the eggs to hatch.

It is Kevin's quiet, prayerful presence that nurtures the life which is latent in the wilderness around him; not his grand schemes, clever strategies and expensive building plans. Contrast the busyness of the city with the stillness of the shrine, the assertiveness of the city walls with the shrine's tentative presence, the noise of the urban throng with the shrine's silence.

I'm sure that at times, cities need to be built and perhaps some pioneers are called to do just that. But if I sense a wall being built around a shrine I've made and the prescriptive hand of civilisation beginning to corral and control the wild and intricate web of life that is present then I will pack my bags and move on. Pressing on further and deeper I will find a new place for a new shrine. And when I turn to Christ with excitement to tell him what I've found he will, no doubt, smile at me and say 'Yes I know, I was here all along'.

Revd Ric Stott is a Venture FX pioneer with the Methodist Church. He is based in Sheffield where he works with a community of artists developing creative, sacred space.

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