Stop closing my church (Cid Latty)

Cid LattyCid Latty asks whether there's an alternative to closing churches.

There has been a lot of research and debate on the decline in church attendance in the UK, with dire predictions and gloomy statistics painting a picture of a Church that will become extinct in a relatively short period of time.

We see and hear of small churches across the UK whose congregations have shrunk and a decision has been taken to either close or amalgamate them with other churches. Are these the only options? Do these churches have to be closed?

Instead I believe that many can be turned around, that we have an opportunity to see both churches and communities revitalised as we explore this more challenging but ultimately more rewarding option. How can this be done?

By imagining – thinking big, having a vision, pioneering

It is time to dream again. Reversing years of decline is not for every church; in Genesis 26.17-22 we see Isaac's servants re-digging the wells that had originally been dug by his father, Abraham. The servants re-dug the wells until they found one with fresh water flowing and eventually settled where God had made room for them, to prosper. It's about rediscovering what is already there, asking 'What vision do we have for what we could be?' and 'What does it take for us to become missional and embrace people around us in a fresh way?'

By investing – planning, motivating, praying

Doing the right thing at the right time. In Habakkuk 2, God tells Habakkuk to write the message down, to make it clear and to wait patiently because it will be fulfilled – even if it isn't straight away, it will be in time. We should take the vision and say, 'This is what I can see could happen here, this is what we could become and this is how I think we will get there'. Clear presentation of a vision and engendering ownership of the vision and ways it can be achieved give people a reason to come together and ways in which they can do it. People want to join in with something that carries the sense of purpose that this kind of activity brings.

By interfacing – joining with others

Finding commonality in the community. Community projects, such as starting a food bank, provide a great opportunity to link up with other churches and organisations in order to make things happen. It is best to find one thing and to do it well, avoiding the mistake that small churches often make which is to try and do many different things (as if it is a big church) and end up doing nothing well at all.

These principles of imagining, investing and interfacing have already begun to help a number of small churches in the UK to gain a new impetus through the Living Well project.

Some churches may choose to close or have it forced upon them. I hope that others will be encouraged to embrace a future in which the Church is very much alive.

Burning Bush Barn

Burning Bush Barn - paintIt is almost three years since Burning Bush Barn was established as a place of creativity and contemplation. Wendy Shaw has seen how the quiet space has become a place of blessing for many.

The barn is in the grounds of the Rectory at St Mary's Church, Rockland, near Norwich. It was disused and very run down when we first arrived in the area but through a lot of hard work, successful grant applications, diocesan funding and wider fundraising, the barn is now a wonderful, quiet place for people to come and be.

I wouldn't describe it as a church or an art gallery but it has the potential to be more than both can be individually. It is rooted in the understanding that creativity is the language of a God who created and continues to create in us – and through us.

The journey for me involved traditional Church of England training and curacy but I had been trying for many years to find my own voice for prayer and healing through arts. In 2003 my path crossed with that of artist Kate Litchfield and we started prayer painting together and exploring the depth of non-verbal prayer. We began with canvas, making marks and line and colour that enabled us to be honest and play in prayer like we hadn-t done before.

We had wanted to try a prayer painting workshop day and very quickly we had a long waiting list. It was very difficult initially because we had to hire venues, get all the furniture out of the way, 'declutter' the space we were using, put out the art materials and pack them all away again at the end of the session.

The context is crucial, and a silent still space was integral to this way of praying. Word started to spread about what we were doing and we quickly got calls from other dioceses to stage similar days but we eventually took the decision to stay within Norwich Diocese, the place we had been called to and supported by.

Burning Bush Barn - exteriorWhen my husband became Rector at Rockland St Mary, the barn was derelict in the garden but we could see how the building could be used in a new way for our developing needs. The fundraising appeal for £203,000 was launched in May 2007 to renovate and preserve it. Much has been done because we now have a worship/gallery space and studio space but there's more to do because we'd love to have a hospitality space too. We have got planning permission to do that but have still got to raise about £65,000 to pay for it.

We have up to 26 people, Christians and non-Christians, for the Thursday morning breakfast sessions and it's a wonderful time to be together. If God comes up during our conversations during those sessions then that's great but we are not there to evangelise. Our belief is that this creativity is a language of God; it's not art and faith, they're inseparable. Art is not something we do; art is a way of living.

Burning Bush Barn regularly welcomes people from ages 9 to 84, it's a great joy! It is not about making fantastic works of art but instead our focus is on the process; it's in the waiting, of making marks.

So many artists say to me, 'I'm a Christian but I don't go to church, I struggle with it'. How do we gather these people together? We are continuing to grow; people want to be here but they don't have to commit to anything. A hospitality space would allow us to develop the community here because we need to be grounding and acknowledging that and seeing it grow.

We implicitly break bread in recognition of gathering as a body and the presence of Jesus Christ here. We try to pitch it so it's open enough for everybody to be able to find a place; we believe in accepting people where they're at.

Burning Bush Barn - logWe often say we don't know where we're going here but the important thing is to watch and wait for the move of the wave. As a result we don't know how long to be on that wave but that's OK. I may want to know what I'm doing this time next year but I can't tell you that. We have to wait.

In all of the questions about this being a fresh expression of church there is a presumption that we want to make church. Do we? As an ordained priest I know that anything we do is rooted in the gospel – otherwise you can't be flexible – but people ask, 'What sort of shape are you at Burning Bush Barn?' I would say it's not church shaped, it's probably amoeba shaped because the edges of it are ready to change at any time. And we are people who live on the edge. We are edge dwellers.

We are not here to make something permanent because we hold what we have lightly, allowing it to move, and one day it may disappear. We began doing something because we felt that God was calling us to it. The sacrament is at the heart of what we do here; the whole thing is rooted in it; that holds us – but we are a transient group of people that allows freedom of movement. The authorities have had to struggle with that a bit and funding is quite difficult because Christian funders are uncertain about the arts and arts funders tend to be more uncertain about anything that seems to be based around faith or religion in any way.

I am asked, 'How many people do you have?', 'What are your donations like?' Well, as far as the money goes, sometimes it comes in and sometimes it doesn't. But, to us, it is important that what we do here is offered without charge, to ensure that they are truly accessible. We are very grateful to the Diocese of Norwich which pays our services' bills.

We have to live responsibly as artists, as a faith community. We are here to work that out creatively; to live from what we have, not for what we haven't.

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